"Joker: Folie à Deux" is the sequel to Todd Phillips' gritty 2019 thriller "Joker," which grossed over $1 billion and earned ...

Yes, "Joker: Folie à Deux" is a mess. Yes, it is a lackluster follow-up to 2019's "Joker" that made history as the first R-rated movie ever to gross over $1 billion worldwide.

[Editor’s note: The following story contains spoilers for “Joker: Folie à Deux,” including its ending.] Yes, “Joker: Folie à Deux” is a mess. Yes, it is a lackluster follow-up to 2019 ...

In "Joker: Folie à Deux," Arthur Fleck is put on trial for his crimes committed in the original 2019 film. Lady Gaga is introduced as Harley Quinn, the Joker's love interest.

What to expect with "Joker: Folie à Deux" Once again, Todd Phillips directs and co-writes. Joaquin Phoenix returns as Arthur Fleck / Joker. Lady Gaga steps into the role of Harley Quinn.

“Joker: Folie à Deux,” a Warner Bros. release, is rated R by the Motion Picture Association for some strong violence, language throughout, some sexuality, and brief full nudity.

“Joker: Folie à Deux” — 3 stars (out of 4) MPA rating: R (for some strong violence, language throughout, some sexuality, and brief full nudity) Running time: 2:18.

For all its shortcomings, Joker thrummed with mad volatility. Thus, it’s deflating to discover that, despite being a musical co-starring Lady Gaga, Joker: Folie à Deux tamps down any potential ...

When early reviews started coming in for 'Joker: Folie à Deux,' many of the incel Joker-ites admonished the sequel as an unfaithful condemnation of both its protagonist and its fans.

Joker: Folie á Deux will be released on digital platforms tomorrow, on Tuesday, October 29, at 12 a.m. Eastern Time.Beginning tomorrow, you’ll be able to buy and rent digitally on Amazon Prime ...

‘Joker: Folie à Deux’: Don’t come to this musical looking to get happy. Joaquin Phoenix and Lady Gaga star in a sequel that’s most interesting for ideas that are buried in grim entertainment.

The DC dirge “Joker: Folie à Deux” is a sequel in search of a purpose. For nearly two and a half hours, director Todd Phillips’ pathologically unnecessary movie cycles through so many ...