Pamela Anderson's role as a lifeguard on Baywatch made her global sex symbol in the '90s. But she longed to be taken seriously as a performer and intellectual. Her new film is The Last Showgirl.

Onetime “Baywatch” babe, reality star and ’90s sex symbol Pamela Anderson (also: activist, best-selling author and mother) has spent much of her career shoved into boxes beyond her control. But the Pam-aissance she’s undergone in recent years,

Canadian-American actress Pamela Anderson’s new film The Last Showgirl is being lauded by critics and audiences and is generating some serious Oscar buzz. Directed by Gia Coppola, the film centres on a Las Vegas showgirl faced with an uncertain future after learning her long-running show is set to close.

Pamela Anderson makes herself small in "The Last Showgirl," director Gia Coppola's intimate portrait of an aging idealist hanging on to the last vestige of Las Vegas glitz in a world that has long since passed her by.

How Pamela Anderson's critique of ageism in 'The Last Showgirl' parallels Maureen O'Hara in Dorothy Arzner's 1940 'Dance, Girl, Dance.'

Shot in Las Vegas over 19 days in February 2024, this indie drama is a compassionate study of families, both found and biological.

The actress stars as a dancer at a Las Vegas revue on its last fishnet leg in Gia Coppola’s sensitive and beguiling film.

In one way, “The Last Showgirl” comes across as a very personal production for its star. At the same time, there is a universality to the story that will reach a large audience. This duality makes for a production that is intimately touching while feeling emotionally massive.

There was a time when the iconic showgirl ruled the Las Vegas Strip before those productions came to an end. The Last Showgirl, starring Pamela Anderson and Jamie Lee Curtis, opens in movie theaters on Jan.

Nothing lasts forever, but in Las Vegas not much sticks around longer ... In “The Last Showgirl,” Pamela Anderson plays Shelly, the longest-running cast member in the longest-running retro ...

The mob-run city of the mid-20th century gave way to "legitimate" business moguls taking control of the casinos, which in turn led to a pivot toward making the Strip "family friendly," before a return to the "What happens in Vegas, stays in Vegas" mantra in megaresorts run by corporations.

Talk about a role of a lifetime. This is Pamela Anderson’s finest moment as “The Last Showgirl,” a story about dreams, sacrifice and regret. Gia Coppola directs the story that focuses on Shelly (Anderson,