With the 63rd edition of the New York Film Festival kicking off tomorrow (Luca Guadagnino’s After the Hunt is the Opening ...

In 1971, Jean Eustache set a camera in front of his grandmother Odette and invited her to speak. The film that emerged, ...

Osit divides Predators into three chapters. The first uses To Catch A Predator clips, chat logs and phone calls to build an ...

Meriem Bennani and Orian Barki made Filmmaker’s 25 New Faces list in 2020 off their improbably delightful pandemic-set 2 ...

So, it’s mildly surprising he hasn’t set a film in the contemporary art world prior to The Christophers, though previous ...

Hal Hartley’s Where to Land, his first feature in 11 years, presents a familiar, potent lattice of miscommunication within a small community. Joe Fulton (Bill Sage), a filmmaker referred to as ...

Critic Leonardo Goi considers the 2025 Venice Film Festival, including titles “No Other Choice,” “Rose of Nevada,” “Bugonia” ...

Actor and Sundance Institute founder Robert Redford, who passed away this week, is remembered by filmmaker Eva Vives.

On the Back to One podcast, actor and author Josh Pais on “Lose Your Mind: The Path to Creative Invicibility,” his new book on acting and the creative process.

Vadim Rizov reviews two TIFF 2025 world premiere films, Claire Denis’s The Fence and Valentyn Vasyanovych’s To the Victory!

Cinematographer Matthew Libatique discusses shooting Highest 2 Lowest, Spike Lee’s signature double dolly shots and mixing multiple film stocks.

To tell you the truth, I was actually quite scared about making a documentary.” It’s a luminous morning in early September and Lucrecia Martel is chewing mate leaves in the restaurant room of a ...