New York Classical Review23h
Uchida and Marlboro Festival players offer a transcendent evening of chamber music
The music was from both present and past, with concise selections from György Kurtág preceding Beethoven’s E-flat Major Piano ...
New York Classical Review1d
A new cast still finding its footing in Met’s “Tosca”
With Tilman Michael, the Met’s new chorus master, this fine ensemble seems to be in very capable hands. Overenthusiasm aside, Nézet-Séguin knows his way around this score. Balance was never an issue, ...
New York Classical Review3d
Pianist Fujita proves an introspective yet compelling presence in Carnegie recital
What followed intermission was in effect a new program, of Classical mien, featuring sets of variations. This genre can seem ...
New York Classical Review3d
The Gesualdo Six offer a moving musical experience with “Secret Byrd”
The Gesualdo Six performed a program titled “Secret Byrd” Saturday night at the Cathedral Church of St. John the Divine. The ...
New York Classical Review6d
Persson, Wolfe premiere provide the highlights with Rouvali, Philharmonic
Miah Persson performed Richard Strauss’s Four Last Songs with conductor Santtu-Matias Rouvali and the New York Philharmonic ...
New York Classical Review7d
A mixed Mozart evening from Vengerov, Orpheus Chamber Orchestra
The traversal of Mozart’s complete works for violin and orchestra with Maxim Vengerov and the Orpheus Chamber Orchestra ...
New York Classical Review11d
Dessoff Choirs marks a century with an expressive Brahms Requiem
The performance Saturday afternoon at Town Hall by the Dessoff Choirs and Orchestra was more than just a concert. Certainly, ...
New York Classical Review13d
Mälkki makes both the new and familiar fresh and memorable with the Philharmonic
For a piece new to the ears—there’s no recording as yet—Mälkki impressed as having a confident understanding of the work, and ...