In 1971, Jean Eustache set a camera in front of his grandmother Odette and invited her to speak. The film that emerged, ...

Meriem Bennani and Orian Barki made Filmmaker’s 25 New Faces list in 2020 off their improbably delightful pandemic-set 2 ...

With the 63rd edition of the New York Film Festival kicking off tomorrow (Luca Guadagnino’s After the Hunt is the Opening ...

Osit divides Predators into three chapters. The first uses To Catch A Predator clips, chat logs and phone calls to build an ...

Hal Hartley’s Where to Land, his first feature in 11 years, presents a familiar, potent lattice of miscommunication within a ...

So, it’s mildly surprising he hasn’t set a film in the contemporary art world prior to The Christophers, though previous ...

To tell you the truth, I was actually quite scared about making a documentary.” It’s a luminous morning in early September and Lucrecia Martel is chewing mate leaves in the restaurant room of a ...

Critic Leonardo Goi considers the 2025 Venice Film Festival, including titles “No Other Choice,” “Rose of Nevada,” “Bugonia” ...

On the Back to One podcast, actor and author Josh Pais on “Lose Your Mind: The Path to Creative Invicibility,” his new book on acting and the creative process.

Actor and Sundance Institute founder Robert Redford, who passed away this week, is remembered by filmmaker Eva Vives.

Anthony Kaufman on looking back to the past of American independent film to find lessons for sustaining its future.

Vadim Rizov reviews two TIFF 2025 world premiere films, Claire Denis’s The Fence and Valentyn Vasyanovych’s To the Victory!